Credits
Films & TV
Finding Fenn's Gold (Director, Producer, Cinematographer) | The New Yorker, 2022
The Andrew Yang Show (Director, Producer, Cinematographer) | The New Yorker, 2021
Documenting Death (Director, Producer) | The New Yorker, 2021
The Last Conversation (Director) | The New Yorker, 2020
After the 12-9 (Director, Producer, Cinematographer) | The New Yorker, 2020
Cuddling with Strangers (Director, Producer) | 2016
Tommy and David (Director, Producer, Cinematographer, Editor) | 2016
Snapshots of Zember (Director, Producer) | TBD, Expected 2022
Wheels: An American Dream (Director, Producer, Co-Editor) | 2014
“The Devil Wind” - Lost LA (Director, Producer, Editor, Cinematographer) | KCET, 2016
‘The Battle of Brooklyn” - Going In with Brian Vines (Producer, Editor, Cinematographer) | BRIC TV, 2017
Join or Die (Field Producer) | SXSW, 2023
Red Cards (Archival Producer, 6 Episodes) | VICE presented by RYOT, 2018
Slutever (Archival Producer, Season 1) | VICELAND, 2018
Jane (Assistant Editor, dir. Brett Morgen) | National Geographic, 2017
Kurt Cobain: Montage of Heck (Production Assistant, dir. Brett Morgen) | HBO, 2015
Video Journalism & News Features
A Reporter's Footage from Inside the Capitol Siege (Producer, Editor) | The New Yorker, 2021
Running the New York City Marathon at Age Eighty-Six (Producer, Cinematographer) | The New Yorker, 2019
A Damn Fine Cup of Coffee (Producer, Editor, Cinematographer) | The New Yorker, 2019
The Video of the N.R.A. Leader and His Wife Shooting Elephants (Editor) | The New Yorker/The Trace, 2021
She’s Playing Elizabeth Warren – But Will She Vote For Her? (Producer, Cinematographer) | The New Yorker, 2020
How National Crises Influenced Three American Elections (Producer) | The New Yorker, 2020
The Coronavirus’s Impact on Chinatown (Producer) | The New Yorker, 2020
What Campaign Songs Tell us About Presidential Candidates (Producer, Cinematographer, Additional Editing) | The New Yorker, 2019
How the Democratic Candidates Are Trying to Go Viral at the Debates (Producer, Editor) | The New Yorker, 2019
Could Overtime Larry Change the Game of Teen Hoops? (Producer, Cinematographer, Editor) | The New Yorker, 2020
How Reënacting Slavery Became an Education Tool (Producer, Cinematographer) | The New Yorker, 2020
Welcome to Iowa: The First Weeks Before the First Democratic Vote (Producer, Cinematographer) | The New Yorker, 2020
Can Amy Klobuchar Maintain Her Momentum? (Producer, Cinematographer) | The New Yorker, 2020
Detroit, Then and Now (Producer, Editor, Article Writer) | The New Yorker, 2018
Iraq’s Post-ISIS Campaign of Revenge (Editor) | The New Yorker, 2018
Why an Iowa Farmer Became a Campaign Stop for Candidates (Producer, Cinematographer) | The New Yorker, 2020
Texting for Help During the Coronavirus Pandemic (Producer) | The New Yorker, 2020
New Words, Favorite Clues, and the Year in Crosswords (Producer) | The New Yorker, 2019
Crossword Puzzles with a Side of Millennial Socialism (Producer) | The New Yorker, 2019
The Quest for the Perfect Crossword Puzzle Clue (Producer) | The New Yorker, 2019
How This Crossword Maker Blends Genres for Clues (Producer) | The New Yorker, 2019
How to Solve Cryptic Crosswords (Producer) | The New Yorker, 2019
Four Super Bowl Trick Plays, Broken Down (Editor) | The New Yorker, 2019
How V.A.R. Would Have Changed the World Cup’s Greatest Plays (Editor) | The New Yorker, 2018
At What Cost (Producer, Editor - 19 Episodes) | Bloomberg, 2018
Berlin’s Longest Running DJ on the Birth of Techno (Archival Producer) | VICE, 2017
Berlin’s Legendary Fashion Icon on the Explosion of Culture in 1989 (Archival Producer) | VICE 2017