Credits
 

Films & TV


The Andrew Yang Show (Director, Producer, Cinematographer) | The New Yorker, 2021

 

Documenting Death (Director, Producer) | The New Yorker, 2021

The Last Conversation (Director) | The New Yorker, 2020

 

After the 12-9 (Director, Producer, Cinematographer) | The New Yorker, 2020

Cuddling with Strangers (Director, Producer) | 2016

Tommy and David (Director, Producer, Cinematographer, Editor) | 2016

Snapshots of Zember (Director, Producer) | Expected 2022

Wheels: An American Dream (Director, Producer, Co-Editor) | 2014

“The Devil Wind” - Lost LA (Director, Producer, Editor, Cinematographer) | KCET, 2016

The Battle of Brooklyn” - Going In with Brian Vines (Producer, Editor, Cinematographer) | BRIC TV, 2017

Red Cards (Archival Producer, 6 Episodes) | VICE presented by RYOT, 2018


Slutever
(Archival Producer, Season 1) | VICELAND, 2018


Jane (Assistant Editor, dir. Brett Morgen) | National Geographic, 2017

Kurt Cobain: Montage of Heck (Production Assistant, dir. Brett Morgen) | HBO, 2015

 

Video Journalism & News Features
 

A Reporter's Footage from Inside the Capitol Siege (Producer, Editor) | The New Yorker, 2021

Running the New York City Marathon at Age Eighty-Six (Producer, Cinematographer) | The New Yorker, 2019


A Damn Fine Cup of Coffee
(Producer, Editor, Cinematographer) | The New Yorker, 2019

The Video of the N.R.A. Leader and His Wife Shooting Elephants (Editor) | The New Yorker/The Trace, 2021

She’s Playing Elizabeth Warren – But Will She Vote For Her?
(Producer, Cinematographer) | The New Yorker, 2020
 

How National Crises Influenced Three American Elections (Producer) | The New Yorker, 2020

The Coronavirus’s Impact on Chinatown (Producer) | The New Yorker, 2020
 

What Campaign Songs Tell us About Presidential Candidates (Producer, Cinematographer, Additional Editing) | The New Yorker, 2019
 

How the Democratic Candidates Are Trying to Go Viral at the Debates (Producer, Editor) | The New Yorker, 2019
 

Could Overtime Larry Change the Game of Teen Hoops? (Producer, Cinematographer, Editor) | The New Yorker, 2020
 

How Reënacting Slavery Became an Education Tool (Producer, Cinematographer) | The New Yorker, 2020
 

Welcome to Iowa: The First Weeks Before the First Democratic Vote (Producer, Cinematographer) | The New Yorker, 2020
 

Can Amy Klobuchar Maintain Her Momentum? (Producer, Cinematographer) | The New Yorker, 2020
 

Detroit, Then and Now (Producer, Editor, Article Writer) | The New Yorker, 2018
 

Iraq’s Post-ISIS Campaign of Revenge (Editor) | The New Yorker, 2018
 

Why an Iowa Farmer Became a Campaign Stop for Candidates (Producer, Cinematographer) | The New Yorker, 2020
 

Texting for Help During the Coronavirus Pandemic (Producer) | The New Yorker, 2020
 

New Words, Favorite Clues, and the Year in Crosswords (Producer) | The New Yorker, 2019
 

Crossword Puzzles with a Side of Millennial Socialism (Producer) | The New Yorker, 2019
 

The Quest for the Perfect Crossword Puzzle Clue (Producer) | The New Yorker, 2019
 

How This Crossword Maker Blends Genres for Clues (Producer) | The New Yorker, 2019
 

How to Solve Cryptic Crosswords (Producer) | The New Yorker, 2019
 

Four Super Bowl Trick Plays, Broken Down (Editor) | The New Yorker, 2019
 

How V.A.R. Would Have Changed the World Cup’s Greatest Plays (Editor) | The New Yorker, 2018
 

At What Cost (Producer, Editor - 19 Episodes) | Bloomberg, 2018
 

Berlin’s Longest Running DJ on the Birth of Techno (Archival Producer) | VICE, 2017
 

Berlin’s Legendary Fashion Icon on the Explosion of Culture in 1989 (Archival Producer) | VICE 2017